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Why are so many men betrayed as truly brutish and childlike, laughing at there own misfortune and the misfortune of the other blacks in the film?
I think the film focuses as much on the evils of slavery as it reinforces and focuses on the stereotypes of blacks.
So
kifaru said:Why are so many men betrayed as truly brutish and childlike, laughing at there own misfortune and the misfortune of the other blacks in the film?
I think the film focuses as much on the evils of slavery as it reinforces and focuses on the stereotypes of blacks.
So
Yeah, but don't those same portrayals also show the long term effects of being treated as less of a man? That after so many years, some Blacks have become immune to the suffering of their own?
Kind of like how some Black folks reacted negatively to Henry Louis Gates.
Oh, it's much worse than all that:
Addio Zio Tom was shot in Haiti under the Duvalier regime. They essentially gave the directors free reign to do whatever they liked with the people who 'acted' in it.
http://zombiedom.blogspot.com/2009/03/where-i-draw-line-volume-1-sa...
"Ok, quick question, one sentence answer, so why is this film completely atrocious? Because despite it’s claim to be an accurate depiction of slavery, Franco Prosperi and co. really did all that horrible shit to real people. Dig into the making of Goodbye, Uncle Tom and you’ll see that it’s directors decided that the only place they could get away with sub-human treatment of human beings for the sake of making money was Haiti. Haiti in the 1970s was sort of like Guantanamo Bay on a national level. The country was led by the sadistic (some say legitimately insane) François Duvalier.........................Why are we talking about Duvalier? Because when Prosperi and Jacopetti needed a place to go to film degradation and subjugation where they knew they could get away with it, they sought out Papa Doc and he said “Come On In, The Water’s Fine, if you don’t mind it being mostly blood.”
Even better (or worse), the same dudes also directed Africa Addio ( a.k.a Mondo Africa or Africa:Blood and Guts) right before this film.
For that movie, it's claimed that they orchestrated the onscreen execution of dissidents just so they could get the footage on camera. They were accused of being total racists for making that flick, and so decided to make Goodbye Uncle Tom in order to prove the charge false. They .......failed.
Oh, it's much worse than all that:
Addio Zio Tom was shot in Haiti under the Duvalier regime. They essentially gave the directors free reign to do whatever they liked with the people who 'acted' in it.
http://zombiedom.blogspot.com/2009/03/where-i-draw-line-volume-1-sa...
"Ok, quick question, one sentence answer, so why is this film completely atrocious? Because despite it’s claim to be an accurate depiction of slavery, Franco Prosperi and co. really did all that horrible shit to real people. Dig into the making of Goodbye, Uncle Tom and you’ll see that it’s directors decided that the only place they could get away with sub-human treatment of human beings for the sake of making money was Haiti. Haiti in the 1970s was sort of like Guantanamo Bay on a national level. The country was led by the sadistic (some say legitimately insane) François Duvalier.........................Why are we talking about Duvalier? Because when Prosperi and Jacopetti needed a place to go to film degradation and subjugation where they knew they could get away with it, they sought out Papa Doc and he said “Come On In, The Water’s Fine, if you don’t mind it being mostly blood.”
Even better (or worse), the same dudes also directed Africa Addio ( a.k.a Mondo Africa or Africa:Blood and Guts) right before this film.
For that movie, it's claimed that they orchestrated the onscreen execution of dissidents just so they could get the footage on camera. They were accused of being total racists for making that flick, and so decided to make Goodbye Uncle Tom in order to prove the charge false. They .......failed.
Yes, thank you XIV! I have only watched the first 15 minutes of Africa Addio. We have to make our own movies and documentaries. My husband's father lived the days of Mau Mau and independence in Kenya. We need to tell our own stories. This movie drips with the ideals of European superiority. No, it's drenched in it. The comments made on the Google Video site, are so racist and ignorant.




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Afro-punk is a platform for the other Black experience, the one we don't see in our media. D.I.Y (Do It Yourself) is the foundation.
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