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Guion Bluford is African American and so was Dr. Charles Richard Drew (1904 -1950), the list of accomplished scientists, teachers, shop owners is endless. I am fed up of the parade of African-American drug dealers and dubious characters we are force fed by the media and subliminally to our teenagers. Thank goodness for the off-button and books. I am so grateful to my parents that TV was a rare treat and the media was not allowed to 'bring us up'.
I mentioned African history, because historical stories were used to spur on African and African- American freedom fighters in the West Indies, the Caroliners etc. Even querilla warfare was passed down from the original captured African warriors and their mothers. Acknowledgement of the bedrock of road to freedom does not lessen the brilliance of the present day African-American existence. But without the mettle and courage of your fore fathers 'African-American' would be a non-entity. I would be happier, if that backbone and strength was depicted more in the African-American roles of mainstream entertainment, never mind an rather historically insignificant 2D cartoon. Pride in ones heritage is honourable, but cherry-picking is somewhat myopic. It is not immature to be well versed in historical facts, and finding strength and inspiration in a wide diaspora.
Ms. Sade, you are quite and enigma, on one hand you champion "fairytales my grandmother told me- which have less to do with Africa and more to do with the Mississippi Valley, The Wild Wild West and New Orleans" and on the other "Homer's Odyssey in much the same way O Brother Where Art Thou ".
Find out the origins of the stories you grandmother used to tell you.
The stories we tell our children come from our great x 5 grandmother and believe it or not they are not too different from those my friend from Ghana tell her children.
A fairy tale about an African-American princess does not have to come from the angle of 'slumming' . If I were to be whimsical about it all, I find the premise for Cinderella far more appealing.
The Princess and the Frog is a European tale of the brother's Grimm origin:
http://en.wikipedia.org/wiki/The_Frog_Prince_%28story%29
Although in said movie, it looks to a marriage between the Frog Prince and the Frog Princess, both European in origin:
http://en.wikipedia.org/wiki/The_Frog_Princess
It is not American. The cartoon telling of it makes the cartoon version an American fairy tale though. Think of it in a Neil Gaimen "American Gods" sort of way.
I did not intend for my words to be interpreted as "African Americans can't accept their European side and be portrayed in a European fairy tale"; although, I should have foreseen my words being interpreted as such.
To pick at the scab, the film doesn't follow the Disney trend. Disney will take a story or history from a culture and use characters representative of that culture in their animated films e.g. Aladdin, Beauty and the Beast, Pocahontas, Tarzan, Snow White, Mulan, The Little Mermaid, Hunchback of Notre Dame etc ... And when Disney doesn't, the stories will involve animals or take place in modern times or the future or alternative time line (science fiction) e.g. Lilo and Stitch, Atlantis, Treasure Planet, etc ... The only time, recently, that Disney did not do this is with The Emperor's New Groove as the original story is not of South American origin but is rather a short story by Danish Hans Christian Anderson; mind you it is a story that could be applied to anywhere there are/were Emperors. I don't hate on this technique. I enjoyed it when that HBO fairy tale cartoon show did that using colored people in traditionally European fairy tales and stories. Just wondering why Disney would do that with this film, hence why I used the word "blackface", cause it's a "blackface" or coloured version of European folklore.
I am not a Disney hate machine. Disney gave me Gargoyles (and Keith David is voicing someone in said Frog film and I love it when he voice acts), Stitch, Pixar, that TGIF tv black from years ago, the score to the Hunchback, and Fantasia (even with the ninny scene). I do dislike how Disney builds up this cult of childhood and magic around it. I see them as a money making machine first and foremost like I see with just about everything in Western society. I did grow up watching their stuff and liking the animation and music along with the other kids in my generation. Did I want to be a princess? No. I saw Disney for what it is - a money making entity. I had a friend of mines break down into tears because she'd never been to disney world and I had - like her childhood was not complete until she has ventured to the childhood version of Mecca. That was very sickening because I felt that in some ways too until I actually went to the place. That's what I don't like, turning said company into something its not - a corporate Santa Claus free from criticism and placed upon a pedestal of mythology and infallibility whose actions are completely and utterly "for the children" as long as their parents are willing to pay to properly define their child's childhood.
Will I see this film. Yes as it's not the film I'm knocking, it's Disney. I may actually like this film and add it to the Disney stuff I do like. If I were a parent would I take my child? Yes, if they ask to see it., but I would hope they would be discerning enough not to buy into the whole "Disney magic" crap that i watched my peers go through (and the inevitable disappointment because they were too poor). Can you imagine if it weren't Disney but instead Nickelodeon that got the foothold in the childhood defining market?
Sigh .. scab topics ... once you pick at it, you just can't stop picking.
Well, to reiterate my point, why is it that in this film, but no other film recently than Emperor's New Groove, does Disney use traditional stories peopled with characters from that culture? I'm pointing out how this film falls away from that basic Disney trend, not about why Black people can "only have certain fairy tales." Heck we can do whatever we want. If Tyler Perry and Oprah put out The Princess and the Frog the animated movie, I'd be more supportive than for a Disney film (you'd still have people saying why couldn't they do an African story e.g. from Africa or from African Americans). My beef is that Disney has done one thing for all this time and then decides to shake things up and start a brand new trend that feels too much like "this is the best way we can market a Black princess" towards our usually target market. Yea, and my whole dislike of princesses. Bah humbug.
Nice to know someone has me perfectly summed up - I am a Disney hate machine because criticizing Disney for doing something different than what they usually do and saying I dislike them instantly turns me into a hate machine. I can just feel my robotic parts setting in. Ah yes, my new imperative in life as per my programming is to go around spreading the hate. I will teach future children to hate Disney and setup a Nazi Germany style Disney concentration camp to gas followers and send out Disney hate terrorist to the premier of Disney movies to blow shit up. And since you seem to be against me, you are an agent of the devil, Disney!! Must ... destroy ... as I am a machine ... Kill!!!! KILLL!!! Sorry, but you have as much validity calling me a Disney hate machine as I do calling you a Disney love machine. No wait, you are a Disney love machine. We must battle to the death or until at least one of us cries uncle, which will be me because the second you flash Gargoyles in front of my face and instantly turn into a ball of crunchy metal as that's a Disney thing I like. Here's a truth though - I am a princess hate machine. Burning pretty pink effigies with crowns at an alter to B'aal makes me orgasm.
And how does me disliking the whole "Disney magic" become me arguing against the concept of "childhood magic". I'm all for childhood magic, just not the Disney brand. I smoke childhood magic like weed.
I'm cashing in meh chips as I find myself participating in a type of back and force banter I usually don't like to engage when it's not constructive (and I have to start using humor). It has definitely lost its constructiveness and I knew this a while back, but scabs! Damn these scabs! Picking at them activates pleasure circuits in my Disney hating machine-like mind! Gah! Purging! Purging! *blip*




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Afro-punk is a platform for the other Black experience, the one we don't see in our media. D.I.Y (Do It Yourself) is the foundation.
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